▼廣場(chǎng)景觀鳥(niǎo)瞰
The aerial view of the square ? E. Zhabjaku

希羅卡漁村坐落在斯庫(kù)臺(tái)湖畔,毗鄰黑山。幾個(gè)世紀(jì)以來(lái),當(dāng)?shù)鼐用穸寂R湖而居,男人們劃著小船外出捕魚(yú),女人們則在家照料果園,編織手工地毯。原先的共產(chǎn)主義政體破壞了傳統(tǒng)“私人式”的生活生產(chǎn)方式,最后以廣泛彌漫在公眾中的信任危機(jī)為終結(jié),隨后便進(jìn)入一段失控的私有化與侵占公共空間的時(shí)期。由此,斯庫(kù)臺(tái)湖濱水區(qū)的公共空間被私人住宅、餐廳、私人停車場(chǎng)與售賣亭等非法建筑所占據(jù)?!鞍柊湍醽喌靥簭V場(chǎng)”清退了非法建筑物,開(kāi)拓了湖面的景觀視野,打造出具有地域特色的公共活力空間,將湖濱區(qū)再次變?yōu)槿窆蚕怼?/p>
Shiroka is a fishing village located on the shores of Shkodra Lake, near the border with Montenegro. Its inhabitants lived for centuries from the lake, men fishing with small rowboats and women tending orchards and weaving carpets by hand. The reaction to the end of a communist regime that had deprived citizens of living from traditional “private” activities was widespread mistrust in the public sphere, which led to a period characterized by uncontrolled occupation and privatization of public space. As result, the public space of the waterfront of Shkodra lake was occupied with illegal constructions such as private houses, restaurants, private parking areas, and kiosks. “Albanian Carpet” returns the waterfront to the citizens demolishing the illegal constructions, opening the views over the lake, and creating an alive public space with a domestic character.
▼斯庫(kù)臺(tái)湖面優(yōu)美風(fēng)光
Graceful scenery of Shkodra Lake ? Jesus Hernandez

“阿爾巴尼亞地毯廣場(chǎng)”項(xiàng)目不僅是對(duì)希羅卡濱湖景觀進(jìn)行外觀與功能上的重建,還希望重塑人們對(duì)公共空間的歸屬感和連接感。項(xiàng)目設(shè)計(jì)的靈感來(lái)源于阿爾巴尼亞的傳統(tǒng)民居樣式:不同的開(kāi)放式房間組成一幢大房屋,尤以長(zhǎng)條U型凳為其顯著特色,可供家庭成員坐、躺、甚至小憩。這些“房間”能欣賞到湖面的開(kāi)闊景致,也激發(fā)了人們對(duì)空間的多樣化使用,比如作為游樂(lè)室、野餐室、休息室、露天劇場(chǎng)或漁夫屋等。
The “Albanian Carpet” project not only aims to physically and functionally restore Shiroka waterfront but also to rebuild the feeling of belonging and attachment to the public space, which is conceived as a large house made of different open rooms inspired by the traditional Albanian room (ODA), characterized by a long, low U-shaped bench where family members seat, lay and even sleep. These rooms open the views over the lake and stimulate citizen's interaction with different uses such as playground room, picnic room, lounge room, amphitheater, and the fisherman's room.
▼各個(gè)“房間”
The rooms ? E. Zhabjaku

▼游樂(lè)室
The playground room ? Orestia Kapidani

▼野餐室
The picnic room ? Jesus Hernandez

▼休息室
The lounge room ? Jesus Hernandez

▼夕陽(yáng)下的露天劇場(chǎng)
The sunset amphitheater ? E. Zhabjaku

▼漁夫屋
The fisherman’s room ? Jesus Hernandez

▼兒童游樂(lè)區(qū)
The children’s area ? Jesus Hernandez

廣場(chǎng)里的U型空間內(nèi)部是內(nèi)斂寧?kù)o的,由木材制成;其外部則是由石材制成,石階可用作座椅,從而將中央廣場(chǎng)變成為了一座臨時(shí)劇場(chǎng)。鋪裝、座椅、臺(tái)階均由黑色與白色的花崗巖按照阿爾巴尼亞傳統(tǒng)手工地毯的紋飾花樣鋪設(shè),為公共空間營(yíng)造出獨(dú)一無(wú)二的氛圍感與地域標(biāo)識(shí)性。
The interior side of the U-shaped rooms is introverted and made of wood while the exterior is made of stone and forms steps for seating that transform the central square into an improvised theater. Pavement, seats, and steps are covered with black and white granite stones following the traditional pattern of the Albanian carpets, which provides a unique and domestic identity to the public space.
▼面向湖面美景的U型石階可用作座椅
The U-shaped stone steps could be used as seats, facing the beautiful lake scenery. ? Jesus Hernandez

▼阿爾巴尼亞傳統(tǒng)地毯紋樣的鋪裝形式
Pavement follows the traditional pattern of the Albanian carpet. ? E. Zhabjaku

▼黑白分明的格子,統(tǒng)一的鋪裝形式
Black and white granite stones, unified pavement form ? E. Zhabjaku

原有的大型樹(shù)木被保留下來(lái),并融入到廣場(chǎng)的設(shè)計(jì)中。新的小樹(shù)苗種植在開(kāi)敞空間內(nèi),為座椅區(qū)和游樂(lè)區(qū)提供了蔭涼。廣場(chǎng)的中心區(qū)域未種植任何苗木,也沒(méi)有市政設(shè)施,從而為舉行各類公共活動(dòng)預(yù)留了足夠的空間。
The large existing trees are preserved and integrated into the design of the square. New small trees are planted in the open rooms to bring shadows to the seating and playing areas. The center of the square has been kept free of trees and urban elements to allow public events.
▼原有的樹(shù)木被保留下來(lái)
The existing trees are preserved. ? E. Zhabjaku

▼開(kāi)闊的廣場(chǎng)中心區(qū)域?yàn)楦黝惢顒?dòng)提供了足夠的空間
The central area of the square provides enough space for various activities. ? Jesus Hernandez


希羅卡的濱水區(qū)搖身一變,成為以行人為主的廣場(chǎng)空間,最大程度地限制了車輛往來(lái)的干擾。整個(gè)村莊的中軸線變?yōu)楣蚕淼牟降揽臻g。村莊的出入口處設(shè)有游客停車區(qū),從而鼓勵(lì)大家步行參觀村莊。
The waterfront of Shiroka is transformed into a pedestrian-oriented square, minimizing the circulation and presence of cars. The whole central axis of the entire village is transformed into a share-pavement area. A new parking for visitors at the entrance of the village encourages the visit of the village by foot.
▼以行人為主的廣場(chǎng)
The pedestrian-oriented square ? Orestia Kapidani

▼市政基礎(chǔ)設(shè)施——自行車停放區(qū)
Municipal Infrastructure —— vehicle blocks ? Jesus Hernandez

▼總體平面圖
The overall masterplan ? Casanova+Hernandez Architects

▼廣場(chǎng)細(xì)節(jié)平面圖
The square detail plan ? Casanova+Hernandez Architects

▼市政設(shè)施設(shè)計(jì)圖
Urban elements design drawing ? Casanova+Hernandez Architects

項(xiàng)目信息
項(xiàng)目名稱:阿爾巴尼亞地毯廣場(chǎng)
工作室名稱:Casanova+Hernandez Architects
工作室官網(wǎng):http://www.casanova-hernandez.com/
聯(lián)系郵箱:contact@casanova-hernandez.com
項(xiàng)目地址:阿爾巴尼亞,斯庫(kù)臺(tái),希羅卡
建成時(shí)間:2020年
建造面積:30000 m2
其他參與者(工程):Sphaera
圖片來(lái)源:Jesus Hernandez,E. Zhabjaku, Orestia Kapidani
Project name: Albanian Carpet
Company name: Casanova+Hernandez Architects
Website: http://www.casanova-hernandez.com/
Contact e-mail: contact@casanova-hernandez.com
Project location: Shiroka,Shkodra,Albanian
Completion Year: 2020
Building area (m2): 30000 m2
Other participants (Engineering): Sphaera
Photo credits: Jesus Hernandez,E. Zhabjaku, Orestia Kapidani
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