葡萄牙ABRIGO裝置設計 | FAHR 021.3

項目坐落于米尼奧河左岸的Lanhelas小鎮。該小鎮位于當地市政府以北，是Caminha教區的一部分。Lanhelas小鎮與米尼奧河有著深遠而強大的經濟聯系，當地的歷史記憶與傳統都與米尼奧河息息相關。葡萄牙傳統的小船“Carocho”就是一個很好的例子，它不僅是高效的交通工具，還是身份地位的象征，同時它還組成了米尼奧河景觀的一部分。Lanhelas小鎮遍布花崗巖建造的房屋，其中景色壯麗的卡薩達托莊園酒店最為引人注目。項目裝置將河岸的景色納入框景之中，使人們的視線聚焦在宛若河畔明珠的卡薩達托莊園上。

^{Sitting on the left bank of the Minho river, Lanhelas is the parish of Caminha further north of the municipality. With a strong and long-standing economic connection to the river, the town holds some deep memories and popular traditions. “Carocho” is an example of this, an icon of identity and an effective means of transportation that is also part of the landscape. Lanhelas extends through the land in a cluster of granite houses – of which we highlight the beauty of Solar da Casa da Torre, with its gargoyles –, but the riverside area is its crown jewel.}

^{▲項目遠觀，viewing the project at distance ? Filipa Frois Almeida}

^{▲裝置將河岸的景色納入框景之中，the project frames and highlights the beauty of the shore ? Filipa Frois Almeida}

米尼奧河的左岸，除了作為農耕儲備用地外，還擁有豐富的自然景觀資源。在這里，人們可以悠閑地在生態景觀道上漫步，或在欣賞田園風光的同時享受一頓豐盛的野餐。此外，它還受到喜愛釣魚的人們，甚至專業釣魚人士的青睞。沿著米尼奧河畔漫步，人們經常可以看到一系列漁業相關的元素，如系泊于岸邊的小船，陽光下閃閃發光的漁網，以及河邊的用來儲存漁具的小棚屋，它們彷佛在靜靜地等待著漁民滿載而歸。

^{This riverfront, on the left bank of the Minho river, in addition to being an agricultural reserve with lots of land suitable for cultivation, is widely sought after by those who wish to go for a walk through the eco-track, enjoy a picnic or the countryside, or even engage in professional and recreational fishing. As we walk along the banks of the Minho River we can see a set of structures related to fishing: boats, moorings tied to the shore, nets drying in the sun, small huts for storing fishing equipment along the riverfront, between the trees, as if awaiting the return of the fishermen to become useful.}

^{▲項目與儲存漁具的小棚屋，the project and the small huts for storing fishing equipment along the riverfront ? Filipa Frois Almeida}

項目所在的場地處于自然之中，在這里時間彷佛慢了下來，人們可以完全沉浸在與環境的交流之中。設計師將裝置放置在景色優美的河岸，它宛如一尊潔白的雕塑，靜靜等待著人們的到來，隨后，將一切和諧地融入自然風景。精心設計的形式與構圖，使得項目與當地環境完美結合。

^{The area of intervention is a place where time seems to slow down, allowing a complete communion with the surrounding environment. It is here that, suddenly, the piece integrates the context, when the authors decide to put it in front of the river, waiting for someone to occupy it and fill the landscape. A formal and compositional relationship that makes the piece very local.}

^{▲項目宛如一尊潔白的雕塑，靜靜等待著人們的到來，the project waiting for someone to occupy it and fill the landscape? Filipa Frois Almeida}

ABRIGO裝置由一個適應場地的框架構成，描繪出一隅沉思的角落。它為人們提供了河邊休憩的場地，使人們在體驗裝置空間的同時，悠閑地欣賞河岸的美景。于此，獨特的裝置元素，將周圍的景觀統一起來，營造出和諧的氛圍。

^{The piece draws a corner of contemplation, a frame that moulds and adjusts to the place, resting on the river shore and framing the landscape with the same languidness with which we experience the space. Here we recognize a set of unique elements that build their image and identity as a whole.}

^{▲項目提供了河邊休憩的場地， the project provide a place for resting on the river shore ? Filipa Frois Almeida}

歷史的痕跡與豐富的景觀層次，使人們放緩腳步；附近的田野與河流，引發人們對自然的遐想與深思。來到步道的盡頭，在潺潺的流水與沙沙作響的楊樹之間，向著河岸極目遠眺，此情此景讓人心曠神怡。

^{The marks of the past and the various strata of the landscape make us stop, and the nearby water between the fields triggers our senses. Arriving at the dead-end, we simply stand between the rushing water and the rustling of the poplars, only exposed to the limits of our gaze over the other shore.}

^{▲由項目看河岸建筑，viewing the granite houses inside the project ? Filipa Frois Almeida}

^{▲項目細部，detail of the project ? Filipa Frois Almeida}

^{▲項目頂部細節，detail of the top part ? Filipa Frois Almeida}

^{▲材料細部，details of the material ? Filipa Frois Almeida}

^{▲項目安裝過程，installation process ? Filipa Frois Almeida}

^{▲項目圖紙，drawings ? FAHR 021.3} 

_{Author： FAHR 021.3} 

_{Team：Hugo Reis and Filipa Frois Almeida}

_{Construction： Retail Concept S.A. + MAOS Carpintaria} 

_{Photography：Filipa Frois Almeida}

_{Promotor：Cim Alto Minho} 

_{Location：Lanhelas, Caminha, Portugal}

_{Completion： 2018}

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^{項目咨詢：18510568018（微信同號）}